Aao Mahima Gaye Bhole Nath Ki – with Spiritual Meanings



Aao Mahima Gaye Bhole Nath Ki – Spiritual Meanings

Part 1

Aao mahima gaye Bhole nath ki
Bhakti mein kho jaaye Bholenath ki
Bhole nath ki jai, Shambhoo naath ki jai
Gauri naath ki jai, Dina naath ki jai

Aao mahima gaye Bhole nath ki

Come, let’s sing the praises of Lord Shiva. The verse invites everyone to join in singing the glories of Lord Shiva, encouraging collective devotion and celebration of His divine qualities.

Bhakti mein kho jaaye Bholenath ki

Let’s lose ourselves in devotion to Bholenath (Lord Shiva). This line emphasizes the idea of surrendering oneself completely to Lord Shiva through devotion and experiencing the divine bliss that comes from being absorbed in His worship.

Bhole nath ki jai, Shambhoo naath ki jai,
Gauri naath ki jai, Dina naath ki jai

Victory to Lord Shiva, the benevolent one, and to Goddess Gauri (Parvati). These lines offer salutations and victory chants to Lord Shiva, His consort Goddess Gauri (Parvati), and acknowledge Lord Shiva’s aspect as the protector and provider for those in need.


Part 2

Mukh pair tej hai, ang bhabhooti,
gale sarp ki maala
Maathe chandrama, jata mein Ganga,
Shiv ka roop niraala

Antaryaami, sabka swami,
bhakto ka rakhavaala
Tino loko mein baat raha hai,
Ye din raat ujaala

Mukh pair tej hai, ang bhabhooti,
gale sarp ki maala

His face radiate immense brilliance, the body covered in ashes, and a snake adorns His neck like a garland. This verse describes the unique appearance of Lord Shiva, adorned with ash (bhabhooti) from the cremation grounds, signifying detachment from material possessions. The snake around His neck represents His control over fear and the cycle of life and death.

Maathe chandrama, jata mein Ganga,
Shiv ka roop niraala

The moon adorns His forehead, the river Ganga flows from His matted locks, and His divine form is matchless. This verse further elaborates on Lord Shiva’s distinctive appearance, with the crescent moon on His forehead, symbolizing coolness and peace. The River Ganga flowing from His matted hair indicates His association with spiritual purity and sanctity.

Antaryaami, sabka swami, bhakto ka rakhavaala

He is the inner controller, the Lord of all, and the protector of His devotees. This line portrays Lord Shiva as the omniscient and omnipotent one who resides within all beings, the ultimate ruler of the universe, and the guardian of His devotees.

Tino loko mein baat raha hai, Ye din raat ujaala

His glory resounds in all three worlds; His light shines day and night. This verse emphasizes that Lord Shiva’s divine presence and fame are spread across all realms (lokas), and His divine light illumines both day and night, symbolizing His eternal and pervasive nature.

Jai bolo, jai bolo, Bhole nath ki,
Bhakti mein kho jaye Bhole nath ki

Chant victory to Lord Shiva, let’s immerse ourselves in devotion to Bhole Nath (Lord Shiva). These lines reiterate the call to praise and celebrate Lord Shiva, urging the devotees to become completely absorbed in devotion to Him.


Part 3

Pee ke bhang tarang mein jab jab,
Bhola shankar aaye
Haath mein apne damaroo le kar,
naache aur nachaaye

Jo bhi shradhda aur bhakti ki,
man mein jyot jagaaye
Mera bhola shankar us par,
apana pyaar lutaaye

Pee ke bhang tarang mein jab jab,
Bhola Shankar aaye

This line depicts Lord Shiva’s association with the intoxicating drink called bhang, often linked with His worship. It portrays a joyous and carefree image of Lord Shiva, who is often depicted as a playful and exuberant deity.

Haath mein apne damaroo le kar,
naache aur nachaaye

Holding His damaru (a small drum), He dances and makes others dance. Lord Shiva is often depicted as a cosmic dancer, and the damaru he holds symbolizes the rhythm of creation. His divine dance, known as the Tandava, is believed to be both a creative and destructive force, representing the cycles of life and the universe.

Jo bhi shraddha aur bhakti ki,
man mein jyot jagaaye

Whoever ignites the light of faith and devotion in their heart. This verse highlights the importance of faith and devotion in connecting with Lord Shiva. It suggests that those who kindle the flame of devotion in their hearts can experience His divine presence.


Summary

Overall, these bhajan lyrics are an expression of deep reverence and devotion to Lord Shiva, acknowledging His divine attributes, unique appearance, and omnipresent nature.

The verses express devotion and praise for Lord Shiva, highlighting His divine attributes and urging the devotees to immerse themselves in devotion.

They encourage devotees to surrender themselves in bhakti (devotion) to experience the bliss of being connected with the divine.


The bhajan is an invitation to come together and sing the praises and glory of Lord Shiva.

It encourages devotees to express their devotion and reverence for the divine qualities and cosmic power of Bhole Nath (another name for Lord Shiva).

The lyrics of the bhajan typically describe the awe-inspiring attributes of Lord Shiva, such as his third eye, his matted hair, his trident (trishul), and his ability to grant blessings and fulfill devotees’ wishes.

It emphasizes the magnificence and transcendental nature of Lord Shiva and invites everyone to participate in celebrating his divine presence.

The bhajan often expresses the devotee’s gratitude for Lord Shiva’s benevolence and guidance in their lives.

It calls for a collective singing of his glory, reinforcing the sense of unity and devotion among the participants.

“Aao Mahima Gaye Bhole Nath Ki” is usually sung with enthusiasm and energy, accompanied by rhythmic beats and claps.

It is commonly performed during religious gatherings, festivals, and satsangs (devotional gatherings) dedicated to Lord Shiva.


Aao Mahima Gaye Bhole Nath Ki


Aao Mahima Gaye Bhole Nath Ki Lyrics

Aao mahima gaye Bhole nath ki
Bhakti mein kho jaaye Bholenath ki


Bhole nath ki jai, Shambhoo naath ki jai
Gauri naath ki jai, Dina naath ki jai

Aao mahima gaye Bhole nath ki
Bhakti mein kho jaye Bhole nath ki


Mukh pair tej hai, ang bhabhooti,
gale sarp ki maala
Maathe chandrama, jata mein Ganga,
Shiv ka roop niraala

Antaryaami, sabka swami, bhakto ka rakhavaala
Tino loko mein baat raha hai, Ye din raat ujaala


Jai bolo, jai bolo, Bhole nath ki
Bhakti mein kho jaye Bhole nath ki

Bhole nath ki jai, Shambhoo naath ki jai
Gauri naath ki jai, Dina naath ki jai


Aao mahima gaye Bhole nath ki
Bhakti mein kho jaye Bhole nath ki

Hari Om Namah Shivay Namo,
Hari Om Namah Shivay Namo
Hari Om Namah Shivay Namo,
Hari Om Namah Shivay Namo


Pee ke bhang tarang mein jab jab,
Bhola shankar aaye
Haath mein apne damaroo le kar,
naache aur nachaaye

Jo bhi shradhda aur bhakti ki,
man mein jyot jagaaye
Mera bhola shankar us par,
apana pyaar lutaaye


Jai bolo jai bolo Bhole nath ki,
Bhakti mein kho jaye Bhole nath ki

Bhole nath ki jai, Shambhoo naath ki jai
Gauri naath ki jai, Dina naath ki jai

Aao mahima gaye Bhole nath ki
Bhakti mein kho jae Bhole nath ki


Bhav paar lagate Shiv bhole,
Bigadi banaate ye Shiv bhole
Kasht nivaare ye Shiv bhole,
Duhkh door kare ye Shiv bhole

Jai bolo Dinanath ki, Jai bolo Gaurinath ki
Jai bolo Badrinath ki, Jai bolo Shambhunath ki


Hai sabase nyaare Shiv bhole,
Hai sabase pyaare Shiv bhole
Hai damaroo dhari Shiv bhole,
Bhole bhandaari Shiv bhole

Jai bolo Dinanath ki, Jai bolo Gaurinath ki
Jai bolo Badrinath ki, Jai bolo Shambhunath ki

Bhav paar lagate Shiv bhole,
Bigadi banaate Shiv bhole
Kasht nivaare Shiv bhole, Duhkh
door kare ye Shiv bhole

Aao mahima gaye Bhole nath ki
Bhakti mein kho jae Bholenath ki